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New Professional Musical Theatre Company Launches in Adelaide
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A new chapter in South Australia's performing arts sector has begun with the launch of Full Circle Theatre Company, a professional musical theatre organisation that aims to provide local performers, creatives and prod...
A new chapter in South Australia's performing arts sector has begun with the launch of Full Circle Theatre Company, a professional musical theatre organisation that aims to provide local performers, creatives and production staff with greater opportunities to build careers without leaving Adelaide. The company officially launched this week and announced its inaugural production, Catch Me If You Can, scheduled to be staged in November 2026.
Led by artistic director Jo Casson, the company describes itself as Adelaide's first professional theatre organisation dedicated specifically to musical theatre. Casson said South Australia possesses an abundance of creative talent, yet many performers and theatre professionals are often required to relocate interstate to pursue sustainable careers in the industry. The new organisation hopes to bridge that gap by creating professional opportunities within the state.
The company's debut production, Catch Me If You Can, is based on the popular 2002 film and Broadway musical. Full Circle plans to use recognised productions during its initial years to establish a strong audience base before expanding into a broader range of projects, including support for original works by South Australian writers and composers.
According to Casson, Adelaide's theatre landscape currently features a strong amateur and community theatre sector as well as major national touring productions. However, she believes there has been limited space for a locally based professional musical theatre company operating between those two levels. Full Circle intends to occupy that niche while maintaining a not-for-profit structure focused on artist development and community engagement.
The company has attracted support from prominent figures within South Australia's arts community. Adelaide philanthropist Pamela Wall has joined as patron, while theatre director and broadcaster Peter Goers, vocalist Libby O'Donovan and performer Rachael Beck have become ambassadors for the organisation. Their involvement is expected to help raise awareness and strengthen industry connections for the new company.
Beyond producing shows, Full Circle has outlined plans to develop educational partnerships and workforce pathways that support emerging performers and theatre professionals. The organisation says it wants to contribute to a more sustainable arts sector by creating local employment opportunities and encouraging young artists to remain in South Australia.
The launch comes at a time when accessibility and audience development are increasingly important topics within the performing arts industry. Recent initiatives across South Australia have focused on making theatre more inclusive and expanding participation among diverse audiences. Full Circle has indicated that affordability and accessibility will form part of its long-term vision as it works to build a larger musical theatre audience in the state.
Industry supporters believe the company could help strengthen Adelaide's reputation as a creative hub while providing a platform for local talent to gain professional experience. With its first production already announced and community backing continuing to grow, Full Circle Theatre Company hopes to establish itself as a lasting addition to South Australia's cultural landscape.
TheatreCompanySouthAdelaideCircle
A new chapter in South Australia's performing arts sector has begun with the launch of Full Circle Theatre Company, a professional musical theatre organisation that aims to provide local performers, creatives and production staff with greater opportunities to build careers without leaving Adelaide. The company officially launched this week and announced its inaugural production, Catch Me If You Can, scheduled to be staged in November 2026.
Led by artistic director Jo Casson, the company describes itself as Adelaide's first professional theatre organisation dedicated specifically to musical theatre. Casson said South Australia possesses an abundance of creative talent, yet many performers and theatre professionals are often required to relocate interstate to pursue sustainable careers in the industry. The new organisation hopes to bridge that gap by creating professional opportunities within the state.
The company's debut production, Catch Me If You Can, is based on the popular 2002 film and Broadway musical. Full Circle plans to use recognised productions during its initial years to establish a strong audience base before expanding into a broader range of projects, including support for original works by South Australian writers and composers.
According to Casson, Adelaide's theatre landscape currently features a strong amateur and community theatre sector as well as major national touring productions. However, she believes there has been limited space for a locally based professional musical theatre company operating between those two levels. Full Circle intends to occupy that niche while maintaining a not-for-profit structure focused on artist development and community engagement.
The company has attracted support from prominent figures within South Australia's arts community. Adelaide philanthropist Pamela Wall has joined as patron, while theatre director and broadcaster Peter Goers, vocalist Libby O'Donovan and performer Rachael Beck have become ambassadors for the organisation. Their involvement is expected to help raise awareness and strengthen industry connections for the new company.
Beyond producing shows, Full Circle has outlined plans to develop educational partnerships and workforce pathways that support emerging performers and theatre professionals. The organisation says it wants to contribute to a more sustainable arts sector by creating local employment opportunities and encouraging young artists to remain in South Australia.
The launch comes at a time when accessibility and audience development are increasingly important topics within the performing arts industry. Recent initiatives across South Australia have focused on making theatre more inclusive and expanding participation among diverse audiences. Full Circle has indicated that affordability and accessibility will form part of its long-term vision as it works to build a larger musical theatre audience in the state.
Industry supporters believe the company could help strengthen Adelaide's reputation as a creative hub while providing a platform for local talent to gain professional experience. With its first production already announced and community backing continuing to grow, Full Circle Theatre Company hopes to establish itself as a lasting addition to South Australia's cultural landscape.
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